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犬夜叉的桌面

楼层直达
级别: 小朋友
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只看该作者 15楼 发表于: 2003-04-08
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最初由 电线 发布
太大……麻烦死了~~~有没有小一号的?

不大啊~ 刚好是800*600的图片~ 很好啊!

...be quiet~ We're waiting for A soft "Good Night~"......

The light of interiors is the admixture of who knows how many doors ajar,
windows casually curtained, unblinded or opened,
oculi set into ceilings, wells, ports, shafts, loose fits, leaks, and other breaches of surface.
But, in any case, the light, once in, bounces toward the interior, glancing off glassy enamels and polishes,
softened by the scuffed and often-handled, muffled in carpet and toweling, buffeted down hallways,
baffled equally by the scatter and order of love and failure
to an ideal and now sourceless texture which when mixed with silence
makes of a simple table with flowers
an island.
级别: 新手上路
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只看该作者 16楼 发表于: 2003-04-08
呵呵~~~刚好我这几天可以用来做我的桌面!!呵呵~~谢谢了~!还有杀杀的吗?我还想要啊~~!
级别: 风云使者
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只看该作者 17楼 发表于: 2003-04-08
不是我想打击你,这图片太小,而且质量不高,当桌面,至少在我这里不行

风清云淡
级别: 小朋友
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只看该作者 18楼 发表于: 2003-04-08
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最初由 kasumi 发布
呵呵~~~刚好我这几天可以用来做我的桌面!!呵呵~~谢谢了~!还有杀杀的吗?我还想要啊~~!

对不起啊,我这里没有了~!
我再去找一找~

...be quiet~ We're waiting for A soft "Good Night~"......

The light of interiors is the admixture of who knows how many doors ajar,
windows casually curtained, unblinded or opened,
oculi set into ceilings, wells, ports, shafts, loose fits, leaks, and other breaches of surface.
But, in any case, the light, once in, bounces toward the interior, glancing off glassy enamels and polishes,
softened by the scuffed and often-handled, muffled in carpet and toweling, buffeted down hallways,
baffled equally by the scatter and order of love and failure
to an ideal and now sourceless texture which when mixed with silence
makes of a simple table with flowers
an island.
级别: 小朋友
注册时间:
2002-10-27
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0小时
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25893
只看该作者 19楼 发表于: 2003-04-08
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最初由 abcbuzhiming 发布
不是我想打击你,这图片太小,而且质量不高,当桌面,至少在我这里不行

我机子里面有157张高清淅的1600*1200的犬夜叉的图片,你打击我,你算老几啊~!

...be quiet~ We're waiting for A soft "Good Night~"......

The light of interiors is the admixture of who knows how many doors ajar,
windows casually curtained, unblinded or opened,
oculi set into ceilings, wells, ports, shafts, loose fits, leaks, and other breaches of surface.
But, in any case, the light, once in, bounces toward the interior, glancing off glassy enamels and polishes,
softened by the scuffed and often-handled, muffled in carpet and toweling, buffeted down hallways,
baffled equally by the scatter and order of love and failure
to an ideal and now sourceless texture which when mixed with silence
makes of a simple table with flowers
an island.
级别: 风云使者
注册时间:
2001-11-21
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0小时
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6962
只看该作者 20楼 发表于: 2003-04-08
我只是就事论事,本身图质量不是很高,我说实话而已。“不想打击你”的那句话是出于礼貌才这么说的,我承认没有你那样的1600*1200图,但你用不着这样说话吧。我算老几?我什么都不算,您算老大。满意了?

风清云淡
级别: 光明使者
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只看该作者 21楼 发表于: 2003-04-09
大多有看过了

我是上班族
级别: 新手上路
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2003-03-23
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只看该作者 22楼 发表于: 2003-04-09
有的看過了~~不過~~感謝^^


静............有时真的会美呆!!!
级别: 侠客
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只看该作者 23楼 发表于: 2003-04-09
没看过动画或漫画,不过还是很好的壁纸


永远的IS,永远的伊织
级别: 小朋友
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只看该作者 24楼 发表于: 2003-04-09
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最初由 abcbuzhiming 发布
我只是就事论事,本身图质量不是很高,我说实话而已。“不想打击你”的那句话是出于礼貌才这么说的,我承认没有你那样的1600*1200图,但你用不着这样说话吧。我算老几?我什么都不算,您算老大。满意了?

算了算了~!

...be quiet~ We're waiting for A soft "Good Night~"......

The light of interiors is the admixture of who knows how many doors ajar,
windows casually curtained, unblinded or opened,
oculi set into ceilings, wells, ports, shafts, loose fits, leaks, and other breaches of surface.
But, in any case, the light, once in, bounces toward the interior, glancing off glassy enamels and polishes,
softened by the scuffed and often-handled, muffled in carpet and toweling, buffeted down hallways,
baffled equally by the scatter and order of love and failure
to an ideal and now sourceless texture which when mixed with silence
makes of a simple table with flowers
an island.
级别: 风云使者
注册时间:
2001-11-21
在线时间:
0小时
发帖:
6962
只看该作者 25楼 发表于: 2003-04-09
引用
最初由 Windtalker 发布

算了算了~!


???????????
还不解气?
看来我真老了,该回学校学学礼仪了,随便说说都能得罪人-_-|||

风清云淡
级别: 小朋友
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只看该作者 26楼 发表于: 2003-04-09
啊~!对不起啊,我不是这个意思~!
请不要介意~!

...be quiet~ We're waiting for A soft "Good Night~"......

The light of interiors is the admixture of who knows how many doors ajar,
windows casually curtained, unblinded or opened,
oculi set into ceilings, wells, ports, shafts, loose fits, leaks, and other breaches of surface.
But, in any case, the light, once in, bounces toward the interior, glancing off glassy enamels and polishes,
softened by the scuffed and often-handled, muffled in carpet and toweling, buffeted down hallways,
baffled equally by the scatter and order of love and failure
to an ideal and now sourceless texture which when mixed with silence
makes of a simple table with flowers
an island.
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